I genuinely have no idea how to rate this song. This isnt a cover but a reimagining (or perhaps a butchering). But to say its bad is missing the point I think.
Regardless, there was a moviee the Sex Pistols put out and this is part of the soundtrack?! I’m gonna have to dig that up and watch.
As I understand it, Hobo Johnson is a bit of a polarizing act. I’ve listened to him for a few years now and even caught him live. And I get it: he’s dorky, unprofessional, and musically rough. When I caught him at the punk venue in my city, it felt less like a concert and more like a house party with 400 of Lopes’ closest friends. Missed cues, the tight venue, and close to 20 minutes of crowd work for an hour long show certainly didnt make it my favorite performance of '23.
But that was a solo performance and I’m glad to see him back with the Lovemakers. Lopes is best as a vocalist and lyricist, so its positive to see he can focus on that again. And my secret theory is this: anyone who doesn’t like Hobo Johnson is embarrased to see a little of themselves in him.
Because whether its talking about death, being a typical millenial in a fucked up world, or rapping about only being able to afford a Subaru Crosstrek, the raw emotion and relatabilty of Lopes’ songs are what first drew me in.
And Dad’s Bed is no exception to that vulnerability and emotion. Singing about the recent and sudden loss of his father, this is a typical Hobo Johnson creation through and through. Musically however, the Lovemakers are overly distracting to me. The almost lofi sound and vocal reverb (downshifted an octave or two, yeah?) aren’t doing this song any favors. But this is perhaps one of their most musicaly complex songs and potentially upcoming albums, which I hope doesnt overwhelm what kept me coming back through his first three records (no, Hobo Johnson Alienates His Fanbase doesn’t count).
Big international work trip with a stupid red eye, so I’m finally back but taking some time to catch up…
Couldn’t catch Pond on their last trip through the US and I not sure I will catch them on this one either. Sad, the new album seems to be shaping up just fine.
They really have to stop painting themselves silver though.
Mar. 29th - Pigeons Playing Ping Pong - Alright Tonight
I caught these guys live in December (Check my review here) and their live performance blew me away. As I mention in my article, they are definetely a live band but I like to give their studio output more attention after underestimating them.
This doesnt turn on the screw until about 75% of the way through the song and its pretty benign as a result. I could see this taking off live and I look forward to hearing this as part of a jam but as of right now… meh.
Its not an April Fool’s joke that I thought the Chili Peppers sang this song. I like the faster tempo of the cover but the musicianship in orginal is much better.
Since listening to the original version of Fire, can’t believe I’ve found another song I thought was a cover. Hendrix must be close to one of the most covered artists of all time…
Anyway, I’ve been returning to this album alot. Such a classic sound and I can see where Hendrix has influenced so much music. Maybe its the subconscious want for another guitar Gizzard album but this has definetely been fitting the bill lately.
Still playing catch up here from a busy schedule. And I have to go into my backyard to stare at the sun today…
Last year Mars Volta came to town and bought tickets early. I had some other obligation spring up and never made it over to the show. I never really listened to their music either as I wanted to have a clean perspective going into the show.
I’m not a huge fan of this song but it has it moments. Lead singer Cedric Bixler-Zavala has a wonderful and strong voice but it sounds like its right out of the 70’s. Its not my favorite vocal style and while their are some strong riffs on this, its tempo is a little too slow to make it very interesting in my eyes. And then there’s just the weird noise jam at the end…
I’ve heard their live show is very good, so still going to check them out next time around.
Cleaning up some of my Ween listens, I learned there was a bonus track on La Cucaracha (which is my least listened Ween album anyway). It was only released as an iTunes exclusive (remember that?)
Interesting song. Surf rock like vibe with that classic Ween slant and lyrics. This song kinda just rocks in a very funky way.
Interesting how different taste of music and interpretation of music can be. Personally, I’m pretty happy there are now bands around which play 70s style blues-rooted rock music like Wucan, De Wolff, Rival Sons, Tyler Bryant and the Shakedown or Greta van Fleet. So I don’t mind it at all that their lead singer sounds like right out of the 70s. The song has a nice slow blues drive, when you count the measure it’s like B. B. King’s “Three O’Clock Blues”.
I don’t really get what you mean with “the weird noise jam at the end”, probably the part starting at around 2:18? I hear there a probably emulated sort of trumpet or so and some nice picking runs on guitar pretty well accentuated by the bass. To me, that would be at least a 3.5/5 if not 4.
However, Mars Volta are a band that plays many different styles of music, so there should be something for everyone.
The weakness of this format is having to pick and chose songs from VAST collections of incredible bodies of work. A first impression can be powerful in either direction. Who knows if I would be listening to Gizz now if my first album I had heard from them was Eyes Like the Skies and not I’m In Your Mind Fuzz?
I bet I would like more from Mars Volta but to me, that 70’s style is super overplayed. “Been there done that” but like I’ve been trying to show this month, I’ve never necessarily had the biggest ear for the classics. Really only started listening to Zappa and Hendrix with this experiment and more I’ll highlight this month. Its possible that I’m hearing the final evolution of sounds Zappa or Hendrix in the modern day and doing the thought experiments backwards. “I dont like this old classic because I’ve already heard it better” could instead be “I like this old classic because it was the basis of what I love now”.
I dont know if that makes any sense at all but its a bit of an epiphany I’ve been having lately. I just havent been able to write much about it because life lol.
BlockquoteA first impression can be powerful in either direction. Who knows if I would be listening to Gizz now if my first album I had heard from them was Eyes Like the Skies and not I’m In Your Mind Fuzz?
And again. If the album I had heard first by them was “Eyes like the Sky” they would have immediately gotten me. It’s so creative and nobody does that kind of music anymore. I would have been like “Those guys are crazy, must listen to more of their stuff”.
Yes, well possible, a similar thing happened to Rock ‘n’ Roll, most young people wouldn’t like it that much, but it still is in today’s music. Motörhead played Rock’n’Roll, Lemmy always said so and they really did, but for some strange reason many people call it Metal. Which it isn’t, it actually is Rock’n’Roll. The backbeat technique in the drumming, the shuffles, the blues patterns, everything about it is Rock’n’Roll, it’s Chuck Berry, only more distorted and louder.
And if you label it “Psychobilly”, Rock’n’Roll is suddenly cool again.
Life still kicking me in the face but I’ll catch up eventually.
My entire family keeps telling me I should listen to Rush because they hear I like the “weird music”. This is just good. I honestly cant say I’ve listened to the song the whole way through. Maybe some snippets off a sound track here or there.
Geddy Lee is a “classic” 70’s sounding vocalist and I quote enjoy his style.